Emily Mitchell’s vases bring a storybook charm to any setting. Hand-built in her Norwich studio, each piece draws on 17th-century English lacework motifs and reimagines bianco-sopra-bianco—a decorative technique first seen in Italian majolica and later echoed in 18th-century English delftware. The result is a surface rich in depth, opacity and raised detail, lending the work a sense of both familiarity and quiet fantasy.
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